Gladiator

Gladiator Inhaltsverzeichnis

Der römische Feldherr Maximus soll die Nachfolge des sterbenden Kaisers Marcus Aurelius antreten. Doch dessen Sohn Commodus will dies verhindern. Er tötet seinen Vater und ordnet die Exekution von Maximus und seiner Familie an. Doch Maximus. Gladiator ist ein mit fünf Oscars prämierter Monumentalfilm aus dem Jahr Er entstand unter der Regie von Ridley Scott und spielte weltweit ca. Gladiatoren (aus lateinisch gladiator, zu gladius für „[Kurz-]Schwert“) waren im antiken Rom Berufskämpfer, die in öffentlichen Schaustellungen gegeneinander​. Gladiator [dt./OV]. ()IMDb 8,52 Std. 50 MinX-Ray Im Jahr nach Christus steht Kaiser Marc Aurel am Ziel seiner Träume: Mit den germanischen. nilssonsbyggab.se: Finden Sie Gladiator (Einzel-DVD) in unserem vielfältigen DVD- & Blu-ray-Angebot. Gratis Versand durch Amazon ab einem Bestellwert von 29€.

Gladiator

nilssonsbyggab.se: Finden Sie Gladiator (Einzel-DVD) in unserem vielfältigen DVD- & Blu-ray-Angebot. Gratis Versand durch Amazon ab einem Bestellwert von 29€. Gladiator [dt./OV]. ()IMDb 8,52 Std. 50 MinX-Ray Im Jahr nach Christus steht Kaiser Marc Aurel am Ziel seiner Träume: Mit den germanischen. Gladiator ist ein mit fünf Oscars prämierter Monumentalfilm aus dem Jahr Er entstand unter der Regie von Ridley Scott und spielte weltweit ca.

De aceea suntem condusi ca pe oi. Ni se speculeaza defectele. FreakDoll pe 14 Iunie Impresionant, din toate punctele de vedere.

E pe lista filmelor mele favorite! Kytta pe 9 octombrie Bai omule Vezi toate comentariile 5 comentarii FreakDoll pe 17 februarie De ce oare a existat si inca mai exista atata nedreptate?

Acest lucru s-a vazut si in acest film care merita din plin nota 10,mai ales cand te gandesti ca e posibil sa fi fost adevarat Si nu va mai dati voi mari experti si critici in filme,Gladiator merita din plin nota 10,chiar si in anul Aditzuu92 pe 27 februarie De mult nu am mai vazut un film istoric asa de bun.

Iustinianus pe 11 ianuarie Tenfix pe 12 Decembrie CosminGN pe 6 martie A fost si va ramane unul din cele mai bune filme cu o productie impresionanta.

Cinemagia - listen: propun nota 10 pentru acest film, sper sa-mi urmati exemplul!!! Vezi toate comentariile 3 comentarii Vezi toate comentariile 11 comentarii Si eu semnez aci Baranescu Silvian Maximorough si va multumesc ca miati dat voie sami arat multumirea fata de filmu asta , cel mai tare din cite am vazut , sa mor io.

Un film de nota Mereu cand aud soundtrack-urile astea mi se ridica parul de pe maini :. Merita vizionat din plin :D. Un film care reda istoria cu adevarat si care va ramani insusi istorie!!!

Marele Ridley Scott, atinge apogeul carierei prin acest film. L-am vazut de 7 ori! Nu m-a plictisit niciodata Eu, intotdeauna cand am re vazut acest film, am simtit cum mi se umplu ochii de lacrimi.

Dupa parerea mea, ar trebui permisa vizionarea lui si persoanelor cu varste cuprinse intre 12 si 16 ani.

Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A former Roman General sets out to exact vengeance against the corrupt emperor who murdered his family and sent him into slavery.

Director: Ridley Scott. See Showtimes. Added to Watchlist. From metacritic. Watch the New Teaser for 'The Batman'. New on Netflix India This July Top Movies Bucket List.

Want To Watch. Share this Rating Title: Gladiator 8. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

User Polls Halloween-ified Movie Quotes! Top Rated Movies 42 Won 5 Oscars. Edit Cast Cast overview, first billed only: Russell Crowe Maximus Joaquin Phoenix Commodus Connie Nielsen Lucilla Oliver Reed Proximo Richard Harris Marcus Aurelius Derek Jacobi Gracchus Djimon Hounsou Juba David Schofield The Christian author Tertullian , commenting on ludi meridiani in Roman Carthage during the peak era of the games, describes a more humiliating method of removal.

One arena official, dressed as the "brother of Jove", Dis Pater god of the underworld strikes the corpse with a mallet.

Another, dressed as Mercury , tests for life-signs with a heated "wand"; once confirmed as dead, the body is dragged from the arena.

Whether these victims were gladiators or noxii is unknown. Modern pathological examination confirms the probably fatal use of a mallet on some, but not all the gladiator skulls found in a gladiators' cemetery.

Whether the corpse of such a gladiator could be redeemed from further ignominy by friends or familia is not known.

The bodies of noxii , and possibly some damnati , were thrown into rivers or dumped unburied; [] Denial of funeral rites and memorial condemned the shade manes of the deceased to restless wandering upon the earth as a dreadful larva or lemur.

The taint of infamia was perpetual. Gladiators could subscribe to a union collegia , which ensured their proper burial, and sometimes a pension or compensation for wives and children.

Otherwise, the gladiator's familia , which included his lanista , comrades and blood-kin, might fund his funeral and memorial costs, and use the memorial to assert their moral reputation as responsible, respectful colleagues or family members.

Some include the gladiator's type, in words or direct representation: for example, the memorial of a retiarius at Verona included an engraved trident and sword.

According to Cassius Dio, the emperor Caracalla gave the gladiator Bato a magnificent memorial and State funeral; [] more typical are the simple gladiator tombs of the Eastern Roman Empire, whose brief inscriptions include the following:.

Titus Flavius Satyrus set up this monument in his memory from his own money. Paitraeites with his cell-mates set this up in memory".

Very little evidence survives of the religious beliefs of gladiators as a class, or their expectations of an afterlife. Modern scholarship offers little support for the once-prevalent notion that gladiators, venatores and bestiarii were personally or professionally dedicated to the cult of the Graeco-Roman goddess Nemesis.

Rather, she seems to have represented a kind of "Imperial Fortuna " who dispensed Imperial retribution on the one hand, and Imperially subsidised gifts on the other — including the munera.

One gladiator's tomb dedication clearly states that her decisions are not to be trusted. Having no personal responsibility for his own defeat and death, the losing gladiator remains the better man, worth avenging.

Doom killed me, not the liar Pinnas. No longer let him boast. I had a fellow gladiator, Polyneikes, who killed Pinnas and avenged me.

Claudius Thallus set up this memorial from what I left behind as a legacy. A gladiator might expect to fight in two or three munera annually, and an unknown number would have died in their first match.

Few gladiators survived more than 10 contests, though one survived an extraordinary bouts; [] and another died at 90 years of age, presumably long after retirement.

The earliest named gladiator school singular: ludus ; plural: ludi is that of Aurelius Scaurus at Capua. He was lanista of the gladiators employed by the state circa BC to instruct the legions and simultaneously entertain the public.

Socially, they were infames , on a footing with pimps and butchers and despised as price gougers. The Spartacus revolt had originated in a gladiator school privately owned by Lentulus Batiatus , and had been suppressed only after a protracted series of costly, sometimes disastrous campaigns by regular Roman troops.

In the late Republican era, a fear of similar uprisings, the usefulness of gladiator schools in creating private armies, and the exploitation of munera for political gain led to increased restrictions on gladiator school ownership, siting and organisation.

By Domitian 's time, many had been more or less absorbed by the State, including those at Pergamum , Alexandria , Praeneste and Capua. Roman myrmillones gladiator helmet with relief depicting scenes from the Trojan War from Herculaneum.

In the Imperial era, volunteers required a magistrate's permission to join a school as auctorati.

Their contract auctoramentum stipulated how often they were to perform, their fighting style and earnings. A condemned bankrupt or debtor accepted as novice novicius could negotiate with his lanista or editor for the partial or complete payment of his debt.

Faced with runaway re-enlistment fees for skilled auctorati , Marcus Aurelius set their upper limit at 12, sesterces.

All prospective gladiators, whether volunteer or condemned, were bound to service by a sacred oath sacramentum. Fighting styles were probably learned through constant rehearsal as choreographed "numbers".

An elegant, economical style was preferred. Training included preparation for a stoical, unflinching death.

Successful training required intense commitment. Soldiers were routinely marked on the hand. Gladiators were typically accommodated in cells, arranged in barrack formation around a central practice arena.

Juvenal describes the segregation of gladiators according to type and status, suggestive of rigid hierarchies within the schools: "even the lowest scum of the arena observe this rule; even in prison they're separate".

Retiarii were kept away from damnati , and "fag targeteers" from "armoured heavies". As most ordinarii at games were from the same school, this kept potential opponents separate and safe from each other until the lawful munus.

Its replacement could have housed about and included a very small cell, probably for lesser punishments and so low that standing was impossible. Despite the harsh discipline, gladiators represented a substantial investment for their lanista and were otherwise well fed and cared for.

Their daily, high-energy, vegetarian diet consisted of barley , boiled beans , oatmeal , ash and dried fruit. Part of Galen 's medical training was at a gladiator school in Pergamum where he saw and would later criticise the training, diet, and long-term health prospects of the gladiators.

Modern customs and institutions offer few useful parallels to the legal and social context of the gladiatoria munera.

Offenders seen as particularly obnoxious to the state noxii received the most humiliating punishments. These damnati at least might put on a good show and retrieve some respect, and very rarely, survive to fight another day.

Some may even have become "proper" gladiators. Among the most admired and skilled auctorati were those who, having been granted manumission, volunteered to fight in the arena.

Their legal status — slave or free — is uncertain. Under Roman law, a freed gladiator could not "offer such services [as those of a gladiator] after manumission, because they cannot be performed without endangering [his] life.

Payment for such appearances compounded their infamia. They could not vote, plead in court nor leave a will; and unless they were manumitted, their lives and property belonged to their masters.

Some "unfree" gladiators bequeathed money and personal property to wives and children, possibly via a sympathetic owner or familia ; some had their own slaves and gave them their freedom.

Caesar's munus of 46 BC included at least one equestrian, son of a Praetor, and two volunteers of possible senatorial rank.

Thereafter, Caligula flouted them and Claudius strengthened them. Even after the adoption of Christianity as Rome's official religion, legislation forbade the involvement of Rome's upper social classes in the games, though not the games themselves.

His motives are unknown, but his voluntary and "shameless" arena appearance combined the "womanly attire" of a lowly retiarius tunicatus , adorned with golden ribbons, with the apex headdress that marked him out as a priest of Mars.

In Juvenal's account, he seems to have relished the scandalous self-display, applause and the disgrace he inflicted on his more sturdy opponent by repeatedly skipping away from the confrontation.

As munera grew larger and more popular, open spaces such as the Forum Romanum were adapted as the Forum Boarium had been as venues in Rome and elsewhere, with temporary, elevated seating for the patron and high status spectators; they were popular but not truly public events:.

A show of gladiators was to be exhibited before the people in the market-place, and most of the magistrates erected scaffolds round about, with an intention of letting them for advantage.

Caius commanded them to take down their scaffolds, that the poor people might see the sport without paying anything. But nobody obeying these orders of his, he gathered together a body of labourers, who worked for him, and overthrew all the scaffolds the very night before the contest was to take place.

So that by the next morning the market-place was cleared, and the common people had an opportunity of seeing the pastime.

In this, the populace thought he had acted the part of a man; but he much disobliged the tribunes his colleagues, who regarded it as a piece of violent and presumptuous interference.

Ticket scalpers Locarii sometimes sold or let out seats at inflated prices. Martial wrote that "Hermes [a gladiator who always drew the crowds] means riches for the ticket scalpers".

It was inaugurated by Titus in 80 AD as the personal gift of the Emperor to the people of Rome, paid for by the imperial share of booty after the Jewish Revolt.

Amphitheatres were usually oval in plan. Their seating tiers surrounded the arena below, where the community's judgments were meted out, in full public view.

From across the stands, crowd and editor could assess each other's character and temperament. For the crowd, amphitheatres afforded unique opportunities for free expression and free speech theatralis licentia.

Petitions could be submitted to the editor as magistrate in full view of the community. Factiones and claques could vent their spleen on each other, and occasionally on Emperors.

The emperor Titus's dignified yet confident ease in his management of an amphitheatre crowd and its factions were taken as a measure of his enormous popularity and the rightness of his imperium.

The amphitheatre munus thus served the Roman community as living theatre and a court in miniature, in which judgement could be served not only on those in the arena below, but on their judges.

Their seating was "disorderly and indiscriminate" until Augustus prescribed its arrangement in his Social Reforms. To persuade the Senate, he expressed his distress on behalf of a Senator who could not find seating at a crowded games in Puteoli :.

In consequence of this the senate decreed that, whenever any public show was given anywhere, the first row of seats should be reserved for senators; and at Rome he would not allow the envoys of the free and allied nations to sit in the orchestra, since he was informed that even freedmen were sometimes appointed.

He separated the soldiery from the people. He assigned special seats to the married men of the commons, to boys under age their own section and the adjoining one to their preceptors; and he decreed that no one wearing a dark cloak should sit in the middle of the house.

He would not allow women to view even the gladiators except from the upper seats, though it had been the custom for men and women to sit together at such shows.

Only the Vestal virgins were assigned a place to themselves, opposite the praetor's tribunal. These arrangements do not seem to have been strongly enforced.

Popular factions supported favourite gladiators and gladiator types. The secutor was equipped with a long, heavy "large" shield called a scutum ; Secutores , their supporters and any heavyweight secutor -based types such as the Murmillo were secutarii.

Titus and Trajan preferred the parmularii and Domitian the secutarii ; Marcus Aurelius took neither side.

Nero seems to have enjoyed the brawls between rowdy, enthusiastic and sometimes violent factions, but called in the troops if they went too far.

There were also local rivalries. At Pompeii's amphitheatre, during Nero's reign, the trading of insults between Pompeians and Nucerian spectators during public ludi led to stone throwing and riot.

Many were killed or wounded. Nero banned gladiator munera though not the games at Pompeii for ten years as punishment. The story is told in Pompeian graffiti and high quality wall painting, with much boasting of Pompeii's "victory" over Nuceria.

A man who knows how to conquer in war is a man who knows how to arrange a banquet and put on a show. Rome was essentially a landowning military aristocracy.

From the early days of the Republic, ten years of military service were a citizen's duty and a prerequisite for election to public office.

Devotio willingness to sacrifice one's life to the greater good was central to the Roman military ideal, and was the core of the Roman military oath.

It applied from highest to lowest alike in the chain of command. In the aftermath of Cannae, Scipio Africanus crucified Roman deserters and had non-Roman deserters thrown to the beasts.

In obedience to the Books of Destiny, some strange and unusual sacrifices were made, human sacrifices amongst them.

They were lowered into a stone vault, which had on a previous occasion also been polluted by human victims, a practice most repulsive to Roman feelings.

When the gods were believed to be duly propitiated Armour, weapons, and other things of the kind were ordered to be in readiness, and the ancient spoils gathered from the enemy were taken down from the temples and colonnades.

The dearth of freemen necessitated a new kind of enlistment; 8, sturdy youths from amongst the slaves were armed at the public cost, after they had each been asked whether they were willing to serve or no.

These soldiers were preferred, as there would be an opportunity of ransoming them when taken prisoners at a lower price.

The account notes, uncomfortably, the bloodless human sacrifices performed to help turn the tide of the war in Rome's favour.

While the Senate mustered their willing slaves, Hannibal offered his dishonoured Roman captives a chance for honourable death, in what Livy describes as something very like the Roman munus.

The munus thus represented an essentially military, self-sacrificial ideal, taken to extreme fulfillment in the gladiator's oath.

Two years later, following its defeat at the Battle of Arausio :. Rutilius, consul with C. For he, following the example of no previous general, with teachers summoned from the gladiatorial training school of C.

Aurelus Scaurus, implanted in the legions a more sophisticated method of avoiding and dealing a blow and mixed bravery with skill and skill back again with virtue so that skill became stronger by bravery's passion and passion became more wary with the knowledge of this art.

The military were great aficionados of the games, and supervised the schools. Many schools and amphitheatres were sited at or near military barracks, and some provincial army units owned gladiator troupes.

It would rise to twenty, and later, to twenty-five years. Roman military discipline was ferocious; severe enough to provoke mutiny, despite the consequences.

A career as a volunteer gladiator may have seemed an attractive option for some. Opposite him on the field, Vitellius 's army was swollen by levies of slaves, plebs and gladiators.

They had served their late master with exemplary loyalty but thereafter, they disappear from the record. Roman writing as a whole demonstrates a deep ambivalence towards the gladiatoria munera.

Even the most complex and sophisticated munera of the Imperial era evoked the ancient, ancestral dii manes of the underworld and were framed by the protective, lawful rites of sacrificium.

Their popularity made their co-option by the state inevitable; Cicero acknowledged their sponsorship as a political imperative.

And suppose a gladiator has been brought to the ground, when do you ever see one twist his neck away after he has been ordered to extend it for the death blow?

Thus demoralised was Capua. The munus itself could be interpreted as pious necessity, but its increasing luxury corroded Roman virtue, and created an un-Roman appetite for profligacy and self-indulgence.

Having "neither hope nor illusions", the gladiator could transcend his own debased nature, and disempower death itself by meeting it face to face.

Courage, dignity, altruism and loyalty were morally redemptive; Lucian idealised this principle in his story of Sisinnes, who voluntarily fought as a gladiator, earned 10, drachmas and used it to buy freedom for his friend, Toxaris.

These accounts seek a higher moral meaning from the munus , but Ovid 's very detailed though satirical instructions for seduction in the amphitheatre suggest that the spectacles could generate a potent and dangerously sexual atmosphere.

There remained the thrilling possibility of clandestine sexual transgression by high-caste spectators and their heroes of the arena.

Such assignations were a source for gossip and satire but some became unforgivably public: []. What was the youthful charm that so fired Eppia? What hooked her?

What did she see in him to make her put up with being called "the gladiator's moll"? Her poppet, her Sergius, was no chicken, with a dud arm that prompted hope of early retirement.

Besides his face looked a proper mess, helmet-scarred, a great wart on his nose, an unpleasant discharge always trickling from one eye.

But he was a gladiator. That word makes the whole breed seem handsome, and made her prefer him to her children and country, her sister, her husband.

Steel is what they fall in love with. Most gladiators would have aimed lower. On the one and the same account they glorify them and they degrade and diminish them; yes, further, they openly condemn them to disgrace and civil degradation; they keep them religiously excluded from council chamber, rostrum, senate, knighthood, and every other kind of office and a good many distinctions.

The perversity of it! They love whom they lower; they despise whom they approve; the art they glorify, the artist they disgrace. In this new Play, I attempted to follow the old custom of mine, of making a fresh trial; I brought it on again.

In the first Act I pleased; when in the meantime a rumor spread that gladiators were about to be exhibited; the populace flock together, make a tumult, clamor aloud, and fight for their places: meantime, I was unable to maintain my place.

Images of gladiators could be found throughout the Republic and Empire, among all classes. Mosaics dating from the 2nd through 4th centuries AD have been invaluable in the reconstruction of combat and its rules, gladiator types and the development of the munus.

Throughout the Roman world, ceramics, lamps, gems and jewellery, mosaics, reliefs, wall paintings and statuary offer evidence, sometimes the best evidence, of the clothing, props, equipment, names, events, prevalence and rules of gladiatorial combat.

Earlier periods provide only occasional, perhaps exceptional examples. Souvenir ceramics were produced depicting named gladiators in combat; similar images of higher quality, were available on more expensive articles in high quality ceramic, glass or silver.

Pliny the Elder gives vivid examples of the popularity of gladiator portraiture in Antium and an artistic treat laid on by an adoptive aristocrat for the solidly plebeian citizens of the Roman Aventine :.

When a freedman of Nero was giving a gladiatorial show at Antium , the public porticoes were covered with paintings, so we are told, containing life-like portraits of all the gladiators and assistants.

This portraiture of gladiators has been the highest interest in art for many centuries now, but it was Gaius Terentius who began the practice of having pictures made of gladiatorial shows and exhibited in public; in honour of his grandfather who had adopted him he provided thirty pairs of Gladiators in the Forum for three consecutive days, and exhibited a picture of the matches in the Grove of Diana.

Some Roman reenactors attempt to recreate Roman gladiator troupes. Some of these groups are part of larger Roman reenactment groups, and others are wholly independent, though they might participate in larger demonstrations of Roman reenacting or historical reenacting in general.

These groups usually focus on portraying mock gladiatorial combat in as accurate a manner as possible. Secutor, Thraex vs. Gladiator fights have been depicted in a number of peplum films also known as "sword-and-sandal" movies.

This is a genre of largely Italian-made historical epics costume dramas that dominated the Italian film industry from to They can be immediately differentiated from the competing Hollywood product by their use of dubbing.

The pepla attempted to emulate the big-budget Hollywood historical epics of the time, such as Spartacus. Inspired by the success of Spartacus , there were a number of Italian peplums that emphasized the gladiatorial arena fights in their plots, with it becoming almost a peplum subgenre in itself; One group of supermen known as "The Ten Gladiators" appeared in a trilogy, all three films starring Dan Vadis in the lead role.

Grier and Markov portray female gladiators in ancient Rome, who have been enslaved and must fight for their freedom.

Crowe portrays a fictional Roman general who is reduced to slavery and then rises through the ranks of the gladiatorial arena to avenge the murder of his family.

Amazons and Gladiators is a drama action adventure film directed and written by Zachary Weintraub starring Patrick Bergin and Jennifer Rubin.

From Wikipedia, the free encyclopedia. Roman combatant for entertainment. For other uses, see Gladiator disambiguation. Main article: List of Roman gladiator types.

Main article: Gladiatrix. See also: Pollice verso.

SPORTS WILLIAM Gladiator mehr.

Gladiator 369
LIVE POKER 200
Gladiator In: Lexikon des internationalen Films. Versprengte Reste des Sklavenheers wurden von der nahenden Armee des Pompeius vernichtet; weitere Sklaven, die Um Was Wetten Wir Gefangenschaft gerieten, Gladiator später entlang der Via Appia gekreuzigt. Auch für weitere Städte wie CosaPaestum und Pompeji sind Gladiatorenkämpfe auf den städtischen Hauptplätzen belegt. Willkommen bei "Mein ZDF"! Wenige Tage vor dem Beginn des munus wurden die Kämpfer öffentlich vorgestellt.
Gladiator 4
Spiele Konzentration Black Jack Anleitung

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Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A former Roman General sets out to exact vengeance against the corrupt emperor who murdered his family and sent him into slavery.

Director: Ridley Scott. See Showtimes. Added to Watchlist. From metacritic. Watch the New Teaser for 'The Batman'.

New on Netflix India This July Top Movies Bucket List. Want To Watch. Share this Rating Title: Gladiator 8. Use the HTML below.

You must be a registered user to use the IMDb rating plugin. User Polls Halloween-ified Movie Quotes!

Top Rated Movies 42 Won 5 Oscars. Edit Cast Cast overview, first billed only: Russell Crowe Maximus Joaquin Phoenix Commodus Connie Nielsen Lucilla Oliver Reed Proximo Richard Harris Marcus Aurelius Derek Jacobi Gracchus Djimon Hounsou Juba David Schofield Falco John Shrapnel Gaius Tomas Arana Quintus Ralf Moeller Hagen Spencer Treat Clark Lucius David Hemmings Cassius Tommy Flanagan Cicero Sven-Ole Thorsen Edit Did You Know?

Trivia In preparation for filming, Ridley Scott spent several months developing storyboards to develop the framework of the plot.

Goofs When Commodus has Maximus taken away to be executed, no "official" reason is given to the guards taking him away, or to the army at large as an explanation for the change in command.

Felicitari tuturor celor care au participat la productia acestui film si rusine celor care au scris acele asa zise gafe,dar multe din ele sunt gafe ale lor de fapt.

Bravo Crowe,ai fost fenomenal!!! Vezi toate comentariile 8 comentarii DAMME pe 13 octombrie Sunt foarte deacord! Suntem snobi,daca spune toata lumea spunem si noi.

De aceea suntem condusi ca pe oi. Ni se speculeaza defectele. FreakDoll pe 14 Iunie Impresionant, din toate punctele de vedere. E pe lista filmelor mele favorite!

Kytta pe 9 octombrie Bai omule Vezi toate comentariile 5 comentarii FreakDoll pe 17 februarie De ce oare a existat si inca mai exista atata nedreptate?

Acest lucru s-a vazut si in acest film care merita din plin nota 10,mai ales cand te gandesti ca e posibil sa fi fost adevarat Si nu va mai dati voi mari experti si critici in filme,Gladiator merita din plin nota 10,chiar si in anul Aditzuu92 pe 27 februarie De mult nu am mai vazut un film istoric asa de bun.

Iustinianus pe 11 ianuarie Tenfix pe 12 Decembrie CosminGN pe 6 martie A fost si va ramane unul din cele mai bune filme cu o productie impresionanta.

Cinemagia - listen: propun nota 10 pentru acest film, sper sa-mi urmati exemplul!!! Vezi toate comentariile 3 comentarii Vezi toate comentariile 11 comentarii Si eu semnez aci Baranescu Silvian Maximorough si va multumesc ca miati dat voie sami arat multumirea fata de filmu asta , cel mai tare din cite am vazut , sa mor io.

Un film de nota Mereu cand aud soundtrack-urile astea mi se ridica parul de pe maini :. Merita vizionat din plin :D. Un film care reda istoria cu adevarat si care va ramani insusi istorie!!!

Marele Ridley Scott, atinge apogeul carierei prin acest film. L-am vazut de 7 ori! Nu m-a plictisit niciodata Eu, intotdeauna cand am re vazut acest film, am simtit cum mi se umplu ochii de lacrimi.

Dupa parerea mea, ar trebui permisa vizionarea lui si persoanelor cu varste cuprinse intre 12 si 16 ani. In cadrul distributiei, unde in afara de marii actori : Russell Crowe , Connie Nielsen, Oliver Reed Proximo , Richard Harris Imparatul Marcus Aurelius , a caror prezentare ar fi de prisos, am remarcat-o si pe Giannina Facio, in rolul sotiei lui Maximus, ucisa de catre romani, dar si pe Joaquin Phoenix, in rolul lui Commodus, fiul lui Marcus Aurelius--un fiu vitreg si la "propriu" dar si la "figurat" in Istorie se spune ca acest Commodus, nu ar fi fost cu adevarat fiul lui Marcus Aurelius.

Filmul contine si o nota de dramatism extrem de greu de egalat, incat eu daca as fi avut puterea, l-as fi premiat in fiecare an pana acum. Am incercat sa detronez acest film din mintea mea, din pacate pana in acest moment nu am reusit,,,cel mai tare film Reusit!!

Bogatyr pe 19 Decembrie Prima oara l-am vazut la cinema in La finalul filmului, toata sala era in picioare si aplauda. Nepoate pleaca dupa acest site ca esti un intrus.

Manusa pe 14 Martie Nici nu sunt cuvinte sa descriu acest film sau sa spun cat de mult mi-a placut. A fost un film minunat si extraordinar care atunci cand il revad parca ar fi prima oara si tot asa ma impresioneaza.

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